Left hand, right hand

They say that left handers are the creative ones. Which means that we right handers have a lot to overcome to make art. Slay some dragons. Rescue a few virgins. Play quidditch. As George W. Bush used to say, “It’s hard.” God knows I’ve been after that Holy Grail for most of my life. All I keep hearing from the unknown: “On you huskie. On.”

That “On” has taken me down the road not taken many a time. There’s some scary stuff down that path. Lions and tigers, oh my. I never know just who I’ll run into down the Road. It could be Abby Normal or his sister, Abby So Lutely. Mostly I have been trying to follow what Dorothy and Scarecrow’s advise, when they sing, “Ease on down the road.” But sometimes that is easier said than done. When I come to a fork in the road, I do follow Yogi Berra’s wisdom. “If you come to a fork in the road, take it.” Still I ask, “What’s a fork without a spoon?”

I do try to follow Jesus’ advice. I try to never let my right hand know what my left hand is doing. “Shhh, it’s a secret,” I tell him. Have to tell you that is a good way to get clobbered. That right hand don’t particularly like it when he gets told what to do. That’s why I’m not letting him know it’s a blog I’m-a doing. If I do, he might not play nice. Could very well take over. Then what would you get? All that rational stuff that just isn’t any fun.

Xmas in the Hood

I follow this South African woman’s blog and I thought I would share her description of how they celebrate Christmas in her part of the world. Enjoy.

DevynStella

There’s no christmas tree or a chimney. You won’t find grandfather frost or any snow man. There’s no going from house to house singing christmas carols or the serving of mince pies as dessert. Its very anormal (and quite disturbing for some) seeing a house with christmas lights and decorations. And just so you know in the hood, we have absolutely no use for christmas crackers and there is also not a single drop of snow just an abundance of sunshine.

You will find presents, they are just not in a stocking under some christmas tree. If you’re hoping for a delicious taste of some good fresh roast turkey, forget it. There is however a variety of tasty meaty dishes. You also have the option to have all of our most favourable salads (mashed potatoes, coleslaw and a beetroot salad) in one plate to form part of our rare ‘seven…

View original post 334 more words

Something for Monday: My Santa Claus Kit

So now it’s Christmas Eve I must admit

It’s time to pull out my old Santa Claus Kit

Done it a thousand times, still it’s a hit

It must be done for it’s in the holy writ

First the bourbon to get delightfully lit

Then I stumble on down to the basement

And search under all the whatchamacallits

Till I am completely at the end of my wits.

After lots and lots of starts and fits

I am not about to call it quits

Till up it pops from where it sits

My one and only Santa Claus Kit.

My red suit is in it, so are my white mits

To keep my hands warm for the night’s trip

My boots black as coal and other condiments

Even some meds for my one true zit.

The night is ready, a sleigh to equip

Up on the roof I make for it

In my sweater Mrs. Claus did knit

It’s so snug it’s a just right fit

On the third floor I stop to try and get

The eight reindeer from where they sit

They care about Christmas not one whit

They want a raise or they say that’s about it.

Even Rudolph, he’s such a snit

He has a red nose, he thinks he’s really It

I go to pull them after me till I get bit

“Ouch,” I cry, then, “I’m ’bout out of my wits.”

“We’ll not go with you,” the reindeer spit

I’m ‘bout to sober up, I need another hit

Of the bourbon so I can get some grit.

I take a swig and it does the trick

I throw my rope ‘round the reindeer neck

Before they know what happened lickety split

They’re ready to have a go at it

Up on the roof. To the sleigh they’re hitched

Then it’s over to the elf’s closet

Where I grab my bag and I toss it

Into the sleigh it makes something of a dent

Then I jump into the seat and sit

I raise the reins and ready for the ascent

One last shot of bourbon and I am bent

For the heavens and the stars that are lit

To guide my ‘round the world event

The seat is hard in the place I have to sit

Tomorrow my behind will have one big dent

For there’s no cushion in my Santa Claus Kit

Next year I’ll ask Santa, a pillow I shall get.

Movie of the Week: It’s Christmas, 1183. Let the Games Begin

Video for this post. Lion in Winter, directed by Anthony Harvey.

Peter O’Toole is Henry 2, King of England; Katherine Hepburn is his wife, Eleanor of Aquitaine. What a pair. You don’t need to know a lot of history to know that this is “Who’s Afraid of Virginia Woolf” in a castle, only the George and Martha of this story have three sons. And all of them have knives. As Eleanor says, “Of course, he has a knife. He always has a knife. We all have knives. It’s 1183 and we’re barbarians.”

The movie, “Lion in Winter”, is set in a castle in the Middle Ages. The only way to heat the joint up is with a family fight. It may be Christmas but Eleanor hits that proverbial nail on the head when she lets out with, “It might as well be Lent.”

And what’s Christmas without a family get-together? The Plantagenets gather at Daddy’s place in Anjou for a jolly good time. Henry is the Lion and Eleanor the Winter, two great forces baring their teeth at one another and using their sons to do it. Henry wants John, the youngest, to be the next king, Eleanor wants Richard to take over the family biz from Dad. Neither parent seems to care much for Geoffrey. So he gets Burgundy. Isn’t that the way it is with middle children? Don’t they always end up with Burgundy?

Along the way, they’ll use Philip, the King of France, to get what they want. As Eleanor tells Richard, “Promise him anything.” It’s the Plantagenet way. But Phil has some tricks up his sleeve too. However, he is never a match for Henry–and Eleanor. The question is: Is Henry a match for his three sons? And his wife of thirty years?

For Hepburn, it is a new career. She had only completed three movies between 1957 and 1968. Much of that time she tended to an ailing Spencer Tracy. He had passed on in 1967 shortly after doing “Guess Who’s Coming to Dinner”. It seemed that now she was liberated, and she gave this magnificent performance, one of the best in a career of great performances. Here she is a match for Lawrence of Arabia, and he too delivers a stunning performance, portraying one of history’s great kings. In addition to these two, there’s a future James Bond as the King of France and Anthony Hopkins, years before he became Sir Anthony, playing Richard.

If you don’t think writers matter, think again. James Goldman’s script, adapted from his play, has some amazing dialogue. It only goes to show how good a director and actors can be with a good, and in this case, a great, script.

Here’s just a sample of a conversation:

Eleanor: You look fit. War agrees with you. I keep informed; I follow all your slaughters from a distance. Do sit down.

Prince Richard: Is this an audience… a good night hug with kisses… or an ambush?

Eleanor: Let’s hope it’s a reunion.

Give yourself a treat and see “Lion in Winter”. I think you’ll love it.

Short Story Wednesday: R J and Euterpe

Short Story Prompt: “Young Goodman Brown” by Nathaniel Hawthorne.

Headlights streamed through the bedroom curtains and hit R J in the eyes. He shook the sleep from his eyes, then turned to the woman at his side on the bed.

“Clara,” he said, then louder. “Clara.”

The pickup stopped in the driveway outside.

“What?” she said, angry at being woken from her dream.

“I thought you said that your husband would be out of town all week.”

The headlights went off.

“Oh, shit. R J, you gotta get out of here.”

R J was already out of the bed and in his pants. He grabbed his shirt and his shoes. He leaned over and kissed her thick brown lips. “Be seeing you.”

He shoved the window up and threw his clothes out into the back yard. Halfway through the bedroom window, he remembered Euterpe. He ran across the room and picked the guitar up. The front door opened just as R J went through the window.

He heard Clara call out to her man, “That you, Hon?”

The husband called from the living room, “Who else you expectin’?”

“You, baby,” Clara said.

R J had his shirt and shoes on. He sneaked past the side of the house and then headed out to the street. Before he knew it, he was three blocks away and out of danger. He checked his watch by the streetlight. It was still early. Only ten p.m. He had enough time to make the appointment he had been offered. He shrugged his shoulders with a why-not and headed on out toward the countryside.

A half hour later he left the town behind him, making his way down the dark country road. The night was dark, no stars and no moon. Only the blacktopped road guided his feet.

R J came upon a bit of a forest. He stepped into the trees. If things were dark on the roadway, they were even darker among the trees. What was he doing? He didn’t need nobody to help him play Sweet Euterpe. He played that guitar just fine.

As he progressed, the oaks and the pines turned gnarly. They gave him the willies, that feeling they were trying to reach out and grab him and squeeze the dickens out of him. It was as if the forest was haunted. There were owls. There were the cries of wolves in the distance. Each of R J’s steps crunched something that didn’t sound quite like leaves. He was not about to reach down and feel the undergrowth. He advanced quickly, pushing back branches and vines that hesitated his progress. Without warning, he stumbled into a clearing. He dropped the case holding Euterpe to the ground.

It was not just any kind of old clearing. This was a clearing where the four winds met. This was a clearing where wizards were known to gather. This was a clearing where the supernatural and the natural encounter each other. This was a clearing where magic was done, and black magic at that.

R J advanced into the clearing, and he saw that the moon and the stars had come out of their closet. In the center of the clearing, four roads met. The road to the north, the road to the east, the road to the south, the road to the west. It was as if they were the four rivers out of Eden.

At the meeting place of the four was a giant stump, a stump as old as the world may have been. Upon the stomp sat a beautiful woman. She wore a long dress of the whitest and purest satin. Her golden hair fell down around her body. The glow pouring from her face put the light of the moon to shame.

“R J, what you expectin’?” she asked from her place on that stomp. “The devil?”

“Y-y-y-yes.” His teeth chattered with fear. It was that kind of fear that came from the preachers when they stormed their congregations with visions of hell. He’d heard their sermons many a time and he knew all the way down to his toes that he didn’t want none of that hell.

“Do I look like an Old Scratch? Do I look like Satan?”

“N-n-no, ma’am.”

“‘Course I do not. I want you to know I have had my eye on you a long time. The way you play Miss Euterpe there. Well, it’s like you play like that Orpheus who lived a long time ago. He played so good, he got Mr. Hades hisself to surrender Orpheus’ one-and-only Eurydice.”

He turned to look back to see where he dropped his Sweet Euterpe. It was not at the edge of the clearing. He looked down at his feet. There at the side of his right foot was the guitar out of its case and lying flat on the earth.

“Come and show me how you can play the beauty,” the woman’s voice beckoned him to the stomp.

R J did not hesitate. Any chance to show his stuff and he was ready. Euterpe flew out of the case and into his hands. He strode to the stomp. The woman offered him a place to sit beside her. He accepted.

Euterpe rested on R J’s lap and under his right arm, ready for the music about to be. Her master’s left fingers turned the tuning pegs a few notches, then the fingers made a run down the fret and toward the rosette and they returned to the center of the fret. It was then that the fingers on his right hand began their dance on the strings of the guitar. The fingers on the strings above the fret turned wild. The woman watched, her eyes growing larger than the moon. It was the midnight hour and R J was bewitching the witch.

She jumped off the stomp and her feet took her round and round, her hands cavorting above her body. The music grew wilder and wilder. Her dance too grew as wild as the wildest of things.The dress dropped to the ground.

Deep into the night R J played, his music frenzied, then dropped into a softness like a feather falling slow and peaceful-like to the grass below. The sound landed easily to a finale. The woman capitulated, surrendering to the gravity that held her to the earth. She lay exhausted on the ground, laughing, ecstatically laughing. She had been right to choose R J,  and this was the night to choose him.

Naked, she rose from the earth and walked to the Orpheus before her. She reached into the stomp and drew out a chalice and a dagger. The dagger’s blade pricked her finger and red blood dropped into the cup. She raised dagger and cup to the sky, then chanted the words of an ancient tongue.

Lowering the cup, she offered it to R J. “Drink, drink, my brother,” her voice commanded.

R J took the chalice and greedily quaffed down the nectar, draining the cup of its liquid. He went to return it to the woman. But she was gone. The moon was gone. The stars were gone. The clearing was gone. The chalice was gone from his hand. He was sitting on the side of the road, Euterpe on his lap.

R J did the only thing he knew how to do. That night and into the dawn, he soothed the sweetest blues out of his Euterpe ever heard by man or beast.