Once a week on Friday, Uncle Bardie celebrates the creativity in others by shining a Spotlight on a movie, a song or a creator. This week’s Spotlight Song is Lyle Lovett’s “Church”:
Lyle Lovett burst upon the musical scene in the mid-eighties. When I first saw him on this or that tv show, I knew he was the genuine article. A great singer with a great sound with great songs. On top of it all, he was backed up by his Large Band.
When you search for his name on the Google, the Wiki proclaims him a country singer-songwriter. But like so many Texas musicians, he is larger than that. He does country, for sure. But he’s swing, gospel, blues and rock ‘n’ roll, depending on what he’s singing. And sometimes a stew of all of those traditions thrown in together for some good eatin’.
By the fact he’s from Texas. You’d know that just by seeing that he does his own “That’s Right You’re Not From Texas.” Like many Texas artists, he’s hard to peg down. Willie (that’s Willie Nelson) could easily be classified as a jazz singer. Townes Van Zant sang the blues like nobody. ‘Course he was a man who had lived those blues. Steve Earle is as much a folk singer as he is country. And where do you classify a song like Ray Wylie Hubbard’s “Up Against the Wall Redneck Mother”?
And just for kicks, throw in Buddy Holly, Z Z Top, Norah Jones, Stevie Ray Vaughan, The Dixie Chicks, Ornette Coleman, Erykah Badu, Gene Autry, Johnny Mathis, Janis Joplin, Barry White, Van Cliburn and the Winters Brothers, Johnny and Edgar. And never ever forget that Bob Wills is the daddy of them all. As you can see, Lyle Lovett fits right in.
“Church” takes me back to the time before the mega-churches starting mega-ing all over the place. Before Tammy and Jim Baker and Jimmy Swaggart showed us how much Elmer Gantry there still was in American Christianity. It takes me back to the time to Sunday-go-to-meeting-and-dinner-on-the-ground time when “just folks” gathered for a mighty good time on the Sabbath. I could wax nostalgia-like here but I’d be a bore. So enjoy the song and maybe it will take you back too.
And just in case you haven’t got enough of Lyle, here’s another one:
Once a week on Friday, Uncle Bardie celebrates the creativity in others by shining a Spotlight on a movie, a song or a creator. In celebration of Women’s History Month, this week’s Spotlight Song is Janis Joplin’s amazing performance of “Ball and Chain” at the Monterrey Pop Festival in 1967:
There are no words for Janis. Just seeing her leaves you stunned. What a force of nature she was.
Once a week on Friday, Uncle Bardie celebrates the creativity in others by shining a Spotlight on a movie, a song or a creator. This week’s Spotlight Creative Artist is the band Cream:
I’ve been thinking a lot about Cream lately. It’s the fiftieth anniversary of their first album, “Fresh Cream”. When they released the album, I asked a friend why Cream. He responded that they were the cream of the crop when it came to music. He was right.
I can’t think of a better way to begin 2017 than feature Cream as my first Spotlight Creative Artist. Made up of bassist Jack Bruce, guitarist Eric Clapton and drummer Ginger Baker, the three made music the rock world had never heard anything like before. Influenced by blues, jazz, rock and folk, their music could be loud as Ahmet Ertegun of Atlantic Records attested. It never was something other than pure music.
Dip your ears into the river of Cream and experience some great music.