For the Birds

A couple sits on a balcony overlooking New York City. They are eating their breakfast. A pigeon is on the balcony’s ledge looking at the couple. The couple are looking at the pigeon.

Carla, the bird, says, “Okay, guys. Here’s your agenda for today.”

“Joe, I can’t believe we are taking orders from a bird.”

“Jill, this bird has made me a fortune. Before Carla here, I was bankrupt. Carla comes into my life. Within weeks I am rolling in dough.”

“Okay, guys. Here’s the plan.”

“I don’t know, Joe. Seems real stupid to me. Don’t you know your own mind?”

“Of course, I know my own mind.”

“Hey, guys. Listen up.”

“Joe, it don’t seem like you do.”

“Jill, I can make my own decisions. It’s just that Carla does a much better job. She doesn’t let things get in the way.”

“Guys, you want me to leave. I’ll do it, you know.”

“Jill, you got to quit doubting my decisions.”

Carla up and flaps away.

“And my decision is to follow Carla. By the way, have you seen Carla this morning?”

A Family Thanksgiving, Etc.

Remember the opening words in Tolstoy’s “Anna Karenina”: “All happy families are alike; each unhappy family is unhappy in its own way.” I took that line and turned it on its head and created my own saying. “All families are dysfunctional, but some families are more dysfunctional than others.”

Jodie Foster has put the fun, and the funk too, in dysfunctional in her homage to the American Thanksgiving family get-together. Without the fun, and the funk, of course, you only have dysfunctional. Who the heck knows what that is? “Home for the Holidays” is a movie about one of those “more dysfunctional than others” families. And, yes, there’s turkey and all the trimmings. ‘Cause, without them, it would be like Christmas without Jesus or Santa or Rudolph. That would be a very un-Christmas Christmas movie, wouldn’t it?

Holly Hunter is having a bad hair day. It could be worse. She could be having a no-hair day. That would mean she is bald. One thing is for sure. Holly Hunter is not bald. So it’s obvious that it’s only a bad hair day. Her boss just fired her, then tried to make out with her, claiming how that he hates Thanksgiving as he does. Dropping her off at the airport, her sixteen-year-old daughter tells her that she is about to have sex with her boyfriend. “We love each other,” she says. On the airplane home, she sits beside a woman who drives her nuts.

So she arrives home and we begin to see that her family is not just another dysfunctional family. It’s a family with Charles Durning and Anne Bancroft, Robert Downey Jr. and Cynthia Stevenson, and brother-in-law Steve Guttenberg. If that’s not enough dysfunction for you, it has Geraldine Chaplin as Aunt Glady. Yes, you heard that right. Aunt Glady.

As they used to say at the Colosseum, “Let the games begin.” Mom Anne Bancroft is a first-class worrier of a mother. Dad Charles Durning is a fun guy, but a little too much fun for Mom. He keeps getting underfoot. Then there’s brother Robert Downey Jr., showing up with his gay partner, Dylan McDermott, who has replaced “Jack I thought he was the one” Jack. At least, everybody believes Dylan is his gay partner. (Turns out he isn’t. Downey is still with Jack. Dylan McDermott is there to meet Holly Hunter.) Brother pulls into the old homestead’s driveway with Isaac Hayes and “Shaft” on the radio. It’s the kind of entrance you’d like to see more characters in comedies make.

Of course, being the wild and crazy guy he is, he makes a wild and crazy entrance with his Polaroid camera. (I know, this was back in the olden days of the nineties when Polaroid was the smartphone camera before there was such a thing as a smartphone.) He doesn’t knock at the front door. He sneaks in the back way, bringing his brand of over-the-fun and chaos to his parent’s house. It’s enough to drive his sister crazy, in a good way. Just when she thinks she’s had enough, he goes and redeems himself with a line like, “People are starting to look at your wardrobe.”

Mom being Mom, she can’t leave well enough alone. She’s got to set the single Holly Hunter up. Who does she set her daughter up with? The guy who comes in and fixes the furnace, that’s who. Played by David Straithairn. He’s a real fun guy. He immediately starts off, “I’m all alone this year. My brother and sister got canned and left town. My parents went and died on me.” On top of all that tragedy, his old girlfriend married his best buddy. Not the kind of guy Holly’d want to be fixed up with. But what can you expect from Mom and her match-making?

Just as things are going so well, Sister Cynthia Stevenson arrives with her husband Steve Guttenberg and their son and daughter and lots of sweet potato. Well, the family sits down for a Thanksgiving feast. First Aunt Glady has to sing. Needless to say she’s not who you’d want to sing at your Thanksgiving dinner. Then comes the prayer to end all Thanksgiving prayers. Kind of made me nostalgic for Festivus (for the rest of us).

Aunt Glady has more. A lot more to say. Then there’s the turkey carving. And the feast and oh, the family discussion. Or should I say the family argument. Brother and sister throwing slings and arrows at each other. Soon the rest of the family is throwing their two cents in. It is time for some truth-telling in the family. It is time for some truth-telling. “You’re a pain in my ass,” Robert Downey Jr. says to Mom. “You have bad hair. But I like you a lot.”

The family Thanksgiving ends with Charles Durning watching his daughter and her husband fleeing in a soaped-up car, and he says, “Deck the halls. I can’t wait for God damned Christmas.” And later “Here’s to us Americans.” Still later Holly Hunter ends up with Dylan McDermott taking Aunt Glady home. And he’s telling her how impressed he was with her picture. Can you believe it? But this is Holly Hunter. She’s got that special Holly Hunter magic we saw in ”Broadcast News”, “Miss Firecracker” and “Raising Arizona”.

You never know what will happen when you go home for the holidays. You just never know.

We’re working things out

A pickin’ and grinnin’ lyric for National Poetry Month

Off to Philadelphia, P A
They drove for twenty-four hours a day.
They hoped hard times had stayed their stay
But the hard times followed them anyway.
I’m still with Tommy, she says to me
We’re working things out.
Sure, he can’t hold a job, she says to me.
We’re still working things out.

He had seven jobs in seven days
And he has an eighth on the way.
He needs to get his act ready for play.
Just give him some time. It’ll be any day.
I’m still with Tommy, she says to me
We’re working things out.
Sure, he can’t hold a job, she says to me.
We’re still working things out.

It’s not that he’s lazy or that he drinks.
He’s in need of a little leeway.
It’s taking some time to work out the kinks.
He keeps hoping things will work out okay.
I’m still with Tommy, she says to me
We’re working things out.
Sure, he can’t hold a job, she says to me.
We’re still working things out.

Blessed Are Those Who Mourn; They Shall Be Comforted

Gaby got home around six. Opened her box and took out the mail. Climbed the stairs to her third floor apartment, dog-tired from a day standing before her sixth-grade classes, trying to teach them a piece of music they did not want to learn. Everything her students wanted to learn was out on the streets and not in her classroom.

Rifling through her mail, she found the special letter she had expected for the last few weeks. The one from Carl. She dropped her other mail on the table without looking at it. She lifted Carl’s envelope to her nostrils and smelled it. It had his scent.

She decided she would save it for a treat later. Besides she knew what it contained. A ticket to join him in L. A. She laid it lovingly on the coffee table. Then made herself a cup of tea and concentrated on the work ahead. It shouldn’t take more than a couple of hours to crank it out.

Taking her tea and scone over to the computer, she booted it up. It was Friday night and time for her to respond to the email from her editor. His email contained three letters asking relationship advice. Her editor expected a response from “Aunty Jabberwocky” by Saturday afternoon.

The letters often were several paragraphs long. For each, she gave the editor a required two hundred and fifty to three hundred word response. Most of the time she wanted to respond with “Get a life”. But she didn’t. Her editor wouldn’t like it. He wanted a positive outlook from her. Something to soothe bruised egos and help them on their way.

She opened the email and read through the letters quickly. Though they were each different, they were in many ways the same.

“I’ve been married ten years. Now my husband is cheating on me.” Gaby’s response, in a diplomatic way: “Shoot the son of a bitch.” Advice she would never have followed since she was afraid of guns.

Or “I am seventeen years old and I am so lonely. My boyfriend left me because I wouldn’t have sex with him.” Gaby’s response, in a diplomatic way: “Ask the b/f why God gave him two hands.” Advice she never followed. She had lost her virginity at fifteen, giving it to a seventeen-year-old who wouldn’t even ask her out on a date.

Or “My mother is dating a new man. She wants to know if she should accept his proposal for marriage.” Gaby’s response, in a diplomatic way: “Tell her to accept. It will be a great way to get Mom off your hands.” This too was advice Gaby would never have followed if she had known who her biological mother was.

Sometimes she wondered how she, of all people, ended up doing relationship advice. She was no damned good at relationships. All of hers fell apart.

Four years earlier, she had been looking for a way to bring in some extra money for a cruise she wanted to take. So she answered an online ad for a local newspaper. “Need advice columnist. No experience necessary but the applicant must be able to write.”

Steve, her editor, liked her honesty and hired her on the spot. He figured anyone who had done as poorly as she had in the relationship department would have some ideas on what might work for other people. He slid a couple of relationship books across the desk and ordered her to go read them, then said he would email her the first three letters the following Friday. The answers were expected by Saturday afternoon for the Sunday edition of the newspaper.

In the beginning, she went to work at the job with a gusto that surprised even her. And the relationship advice she sent out was some she got up the courage to take herself. Each new guy she dated became Mr. Possibility. That is, until he became Mr. Dud. Over the four years, she had taken on four relationships, each one looking better than the previous. The first three ended with a thud. Then finally, at forty, she met the One.

Carl had everything she was looking for in a man. He was tender. His jokes made her laugh. He was a great Mr. Fixit. There was never any putdown from him the way the others did. He seemed to be able to read her mind when he would come out with the most outlandish suggestions. If she had believed in soulmates, Carl would have been hers.

He was twenty-five. But it wasn’t a problem for him. He told her that older women always attracted him. The younger ones, the ones his age, fell flat. And he felt like he and Gaby were perfect for each other.

When they first met at a dinner party, Carl had done several small roles in avant garde plays. For the year they were together, his skill as an actor and his roles grew. A month earlier, he had gotten a role in the pilot for a new series. It was to be shot in L. A. If it panned out, he told her that he would send for her. No use for her to give up her job if the pilot was not picked up.

So here she sat at her computer, writing relationship advice, and not sure where she stood. At least, until tonight and the letter. The letter on the table.

She finished her email, then hit send and off it went to Steve for the Sunday edition. It was back to the kitchen nook for another cup of tea.

While she waited on the water to boil, she picked up the envelope with his letter and her ticket to paradise and smelled it once again. His faint odor, the odor of the earth, wind, water and sun. Just one whiff of him was enough to drive her into ecstasy. The kettle whistled. Like a train whistle, she felt the lonely would soon be long gone.

She pulled out a bag of mint tea, her favorite, and dropped it into the cup. Over the bag she poured the hot water. She waited for the bag to steep in the water. Her waiting seemed like an eternity. The cup of tea was ready. She walked it over to the coffee table, set the tea down and settled on the sofa.

Her trembling hand picked up the envelope. She sliced it open with her letter opener. Afraid to touch its contents, she shook them onto the table.

Five one-hundred-dollar bills fell out.

She shook the envelope again and nothing more. She ripped into the envelope. It was empty. No letter. No note. Nothing. The envelope had contained only the five hundred dollars Gaby had lent Carl to go off to California for his pilot.

Her body slumped deep into the sofa. She did not feel pain. She did not feel her heart break. She did not feel the loneliness.

Where once there were dreams, there was now only emptiness. Where once there was hope, there was now only a void. Where once there was a woman, there was only an old haggard body, ready for the Angel of Death to carry her off not to Paradise and not to Hell. To limbo, that gray netherworld where lost souls go to live out their forevers.

Across the room and on a bookcase, she spotted a black case. She tried to pull herself together but she could not. Her body sunk deeper into the cushion. She pushed herself off the sofa and onto the floor. If she could reach the case, everything might be better. Her hands pulled her dead body closer and closer to the bookcase. Finally she reached it. She raised her arm, her hand barely touching the case. She strained and managed to make the case fall onto the floor, almost hitting her in the head. She pulled her body up against the wall and unsnapped the black case.

In the case was a trumpet. She lifted it out of the case. She took the Yamaha 14B4 mouthpiece, spat into it, then rubbed it dry on her dress. She inserted it into the trumpet.

She managed to get herself into a standing position. The trumpet somehow gave her the energy to make her way to the window. The world of the city stood before her, and a lightly lit street below. A drunk stumbled out of a bar and into a dark alley.

Gaby lifted the trumpet to her lips. At first, nothing came out of the brass instrument. Then a little peep. Pretty soon she had that trumpet making a sound, and then more sound.

The sound she played filled her body, each breath giving the trumpet more sound. Soon it went to that deep secret part of herself that she had shared with no one, not even Carl. She became the sound and the sound became her, a requiem rising toward the heavens, mourning for what had been, a grief for what never was.

She breathed into that trumpet the way God must have breathed into the first man. The music became a living thing. She was in the deep water of the sound she played, heading further and further out to sea.

Her neighbors, who were prone to complain about any noise, did not complain. For some, the music sounded as if it was announcing the Second Coming. For others, it reminded them of all the loses they had ever had. For still others, it was the most beautiful noise. The music reached down into each of their souls and made them feel as if they had never felt before.

The music ascended like incense rising into the heavens, and the angels wept. It was that kind of noise.

Uncle Bardie’s Movie Spotlight: The Light Between Oceans

Once a week on Friday, Uncle Bardie celebrates the creativity in others by shining a Spotlight on a movie, a song or a creator. This week’s Spotlight Movie is “The Light Between Oceans” (2016):

If you had to choose between the one you love and your conscience, which would you choose? This is one of several themes of “The Light Between Oceans”.

Tom Sherbourne (Michael Fassbender) returns to his native Australia from the battlefields of World War One. He is a wounded man and he knows he is a wounded man. He can’t get the war out his head. To find some peace, he volunteers to be a lighthouse keeper. The lighthouse is on an island miles off shore.

Running away from life, he finds life in a woman who lives in the Western Australian town that is the jumping off point to the island. Isabel (Alicia Vikander) falls in love with him and he with her. Alone on the island, he realizes he wants to say yes to her proposal of marriage.

Tom and Isabel are happy on the island in the early days of their marriage. Their life together on the island seems perfect.

On the island, Isabel loses both of her babies during pregnancy. Then a row boat comes from the sea. On it are a dead man and a baby. Isabel wants to keep the baby; Tom wants to do the right thing and report what they have found to the authorities. This is where Tom’s dilemma begins.

At the end of the movie, I still can’t answer the question of whether I would have made the choice Tom makes. Just like I don’t know which child I would have chosen if I were Sophie in William Styron’s “Sophie’s Choice.” Or whether I would have made the choice Scobie makes in Graham Greene’s “The Heart of the Matter.” Would I have chosen the choice Danny’s father made in Chaim Potok’s “The Chosen”?  I don’t know. I don’t know. I don’t know.

Perhaps this is the moral of “The Light Between Oceans.” There is no right answer and there is wrong answer. There is only a human answer.